In this film, Riefenstahl is very carefully photographed to make her seem almost a creature from another dimension. I suppose you could label this film a uber fascist fairy tale, with this emphasis on this pure untouched creature interacting with her rugged environment, that theme is strongly interwoven into the narrative.
Leni Riefenstahl will always be a controversial filmmaker. Her association with Hitler and the Nazi party followed her to her death. Her degree of involvement with the Nazi's has been subject to a lot of speculation, but if her naivety about the Nazis was as real as she claims, her association with them probably still made her a dangerous person since she helped to propagate their Aryan fantasy. She always acted the role of the misunderstood artist her entire life.
The film has a strong Teutonic theme running throughout it. It's possible Riefenstahl was attempting to create a myth much like Fritz Lang's Die Nibelung Saga. Leni Riefenstahl always thought epic when she filmed, look at Olympia.
86 minutes.
Still an impressive film, one of the most beautiful I have seen. The Blue Light shows how very talented filmmakers working with 1930's equipment and filming in black and white, can equal or even surpass a lot of films shot in color and widescreen.
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