Showing posts with label ROBERT SIODMAK. Show all posts
Showing posts with label ROBERT SIODMAK. Show all posts

Monday, July 18, 2011

1930 - PEOPLE ON SUNDAY slice of life study of Berlin in 1929

Two couples hang out on a Sunday in Berlin.  This was filmed on location with non professional actors and a very small crew.  The film is noted for the participation of the behind the camera talent.  Billy Wilder wrote the screenplay, Robert Siodmak directed, Edgar G, Ulmer and Fred Zinneman also worked on the film. 


Probably the most important collaborator was the famous cinematographer Eugene Schuffian who had worked with notable directors such as Fritz Lang, Max Ophuls, Robert Rossen and Georges Franju to name a few.  People On Sunday looks very good. 


The film is a fascinating look at Berlin right before Hitler came to power.  Much of it has a strong documentary feel to it.  The film also has some interesting observations about male and female relationships probably due to the writer  Billy Wilder. 

People On Sunday has a lot of charm and holds up very well probably thanks to the talented group of people working behind the camera who wanted to make something a little more interesting than just another drama.

73 minutes written by Billy Wilder, Robert Siodmak and Curt Siodmak. 

Tuesday, November 16, 2010

1946 - THE KILLERS, better version of the Hemingway short story

Although the 1964 version is not without it's good points, mainly Lee Marvin and Clu Gulager as the killers,  the 1946 version has it all over that film.  This is a good 1940's film noir well directed by Robert Siodmak and produced by Mark Hellinger a guy who actually had some taste and talent. The Killers was written by Anothony Veller with uncredited help from John Huston.



Somebody had the smart idea to actually use the Hemingway short story for the opening scenes in the film.  It sets the mood for the rest of the picture.  After that opening, the film uses the same story structure as Citizen Kane as the insurance investigator tries to put together why a man would wait to be killed. 



The Killers has a fine cast, with Burt Lancaster as the victim and Ava Gardner as the femme fatale.  But probably the two standouts in the film are a couple of character actors, Edmond O'Brien as the insurance investigator and Sam Levine as the cop helping him solve the murder.  Try making a film today where two character actors are as important as the main leads.

The director Robert Siodmak worked on a lot of horror movie junk at Universal before he got better assignments, directing entertaining crap like Son of Dracula and Cobra Woman.  Siodmak really pours on the atmosphere in this film, he also has a  one take shot of a payroll robbery that's very well done. 



Don Siegel claimed he used nothing of The Hemingway short story or scenes from this film for his version of The Killers.  Not true, the basic idea of a man waiting to die is from the Hemingway story and the flashback structure in this version were borrowed for the 1964 film.  

A very well done film.

103 minutes, screenplay by Anthony Veiller.

Wednesday, January 28, 2009

1944 - COBRA WOMAN Starring Maria Montez "When I look at myself, I am so beautiful I scream with joy!"

 STRANGE LOVES, UNBELIEVABLE ADVENTURES in the SOUTH SEAS! EXOTIC LOVE! featuring the Stars of "Arabian Nights" TOLLEA! TEMPTRESS OF TERROR! Gorgeous, glorious adventure romance in a pagan paradise !

The quote in the header is supposedly from Maria Montez after she saw herself on screen. Supposedly a "camp classic". But is it anymore stupid than 2008's Indiana Jones meets Space Ghost, or the Kinda Incredible Hulk?  Both of which I sat through this summer.


The young lovers are torn apart on their wedding day when on a beautiful south seas island the bride is kidnapped by members of the cobra cult. It seems that the bride is actually descended from royalty and has a very evil twin sister who resides on Cobra Island. Here her evil twin, rules in terror. As an appeasement to the "fire gods" which is a model volcano, the evil sister dances around her subjects choosing sacrificial victims like she was picking people for her grade school dodge ball team. She wears some sort of glittery snake dress outfit while she struts her stuff, all very cool.

Our hero sails to the rescue of the nice twin sister along with help from his sidekick Sabu, who is armed with a lethal blow gun. The action really doesn't let up for the entire running time of the film.



This movie is only 70 minutes, written by Richard Brooks and Gene Lewis.