Showing posts with label EDGAR G. ULMER. Show all posts
Showing posts with label EDGAR G. ULMER. Show all posts

Sunday, March 24, 2013

1951 - THE MAN FROM PLANET X, decent low budget science fiction


For a film knocked out in 5 days, The Man from Planet X looks and plays pretty good.  Probably making the most of what he had the director Edgar G. Ulmer managed to create an eerie atmosphere and get some decent performances out of the cast.


Ulmer had a long career making something out of next to nothing when it came to shooting film.  If the space man from Planet X looks phoney at least he's lighted cleverly.  The script isn't exactly Hamlet, but it is interesting.  The photography is by John Russell who shot Psycho for Hitchcock.

The Man from Planet X is also nice and short coming in at just over an hour.  Watching these kinds of films is almost a picnic at that length.

70 minutes.

Wednesday, February 16, 2011

1934 - THE BLACK CAT, strange and incoherent horror film


The Black Cat is another Universal horror film from the 1930's that is fairly well regarded for a film in that genre.  It has two of Universal's greatest horror stars.   Boris Karloff as Hjalmar Poelzig, the leader or a cult of devil worshipers  and Bela Lugosi as Dr. Vitus Werdegas,  Poelzig's nemesis.



Edgar G. Ulmer wrote and directed The Black Cat and to say it is a confusing film is an understatement.  The film has something to do with Lugosi trying to find out what happened to his wife and how Karloff is involved with her disappearance.  The film really seems to be about Ulmer indulging himself in filming lots of strange scenes but not really figuring out how to tie them all together with a story that makes sense.


The Black Cat is also an interesting study in the acting abilities of Bela  Lugosi and Boris Karloff.  Lugosi was primarily known for his interpretation of Dracula.  He certainly had the look down for that character. But as an actor he left a lot to be desired.  His Hungarian accent is as thick as mud and his acting is not so hot.  He borders on campy eye rolling hysteria throughout most of the film.   His limited range as an actor was a problem for him throughout his career.

Boris Karloff on the other hand, gives a very smooth and subtle performance as the cultivated sadist Poelzig.  His underplaying is very effective compared to Lugosi.  Like Lugosi, Karloff was stuck in the horror genre his entire career, but he always brought authority and conviction to his roles. 



If The Black Cat is a confusing mess of a film it's certainly a fascinating mess.  The sets are very cool and Karloff makes an interesting villain, whether he is mummifying his old girlfriends, torturing his wife or leading his devil cult in some kind of satanic mass.  Lugosi was not much of an actor but he certainly has a commanding presence.  Ulmer also has one amazing scene of a subjective camera wandering around Karloff's dungeon which is I hate to use the word but will is,  "poetic."

65 minutes.

Friday, February 11, 2011

1945 - DETOUR, tough cheap little film noir deserves its classic status.


Detour the classic Edgar G Ulmer cheapo is a study in what is called "the hand of fate." 


This film holds up extremely well.  The audience gets to watch the metaphorical noose around the neck of Al the piano player grow tighter and tighter as he attempts to extract himself from a situation that he has almost accidentally stumbled into and has no control over. 


The cast has 40's glamour babe Ann Savage as one tough as nails broad who just happens to be as scary as hell.  It's amazing to see a strong feminist character in a film this old. As for the male protagonist Al played by Tom Neal.  Here is a guy who didn't just play this character he actually lived the role in real life.


Definitely worthy of all the considerable praise heaped on it by film buffs and scholars.  Detour shows what a good director can do with an interesting story regardless of budget or time restraints. 

68 minutes.