HAWKS DIRECTS WAYNE AND CLIFF |
127 minutes.
Short reviews of films from my collection
Neil Simon was always a fairly tough customer when it came to his plays. He insisted they follow his scripts to the letter. That is why Barefoot in the Park has a real claustrophobic feeling to it. Simon opened it up a little bit so they could shoot on location, but those scenes are basically filler for the main plot.
The film is about a couple of newlyweds adjusting to married life. They live in a 6th floor walk up studio apartment ($76.00 a month). She's a free spirit, he's a buttoned down attorney just starting his career. New York is a fun city in this film, it has lots of colorful characters for the couple to interact with. The crisis in their marriage comes when Corrie played by Jane Fonda decides her husband played by Robert Redford is a big dud and does want to have her kind of fun. After about 6 days of marriage she wants a divorce!
I suppose a good actor could pull off this nut case of a female character, but Jane Fonda isn't it. Towards the middle of the film I started to suspect that Fonda's character "Corie" had some serious mental problems with her obsessive fixation on her husband. This stay at home housewife needs a job.
Still for a Neil Simon film there are some funny situations and the dialog is kind of clever. But Jane Fonda really sinks this thing.
106 minutes.
Fritz Lang returns to the thriller genre after his Indian adventure films. Lang brings back the Mabuse character and more importantly the criminal mastermind plots that usually involve Dr. Mabuse. The Mabuse thrillers were important films for Lang and helped make his reputation as a master of the crime thriller.
This is a good film with some major issues, primarily the extremely low budget his German producer gave him to work with. The film has a very cheap look to it. The crummy sets look like crummy sets. The actors look like they could knock them down if they aren't very careful.
However, this is still and interesting and exciting film. Lang may have been working with a small budget but he's still Lang and he knows how to create an atmosphere of menace. The film also has an exciting climax with a shootout and car chase. The James Bond producers borrowed some of the "gags" from this scene for Goldfinger.
The film is a nice end to Lang's career.
103 minutes written by Fritz Lang.
The actor Daniel Massey who played Noel Coward in Star plays the officer in the guards. He comes off as a real simp running around with his umbrella and bowler hat and affecting that stiff upper lip character that every American thinks the British are born with.
It's hard to believe that a director like Michael Powell, who usually made interesting and unique films about England and English life could get involved in such a cliche ridden mess like this. Many of Powell's other films examined the British character with a lot more subtlety than this sloppy patriotic crap. This is an England that probably never existed except in the fantasy world of film.
This could have been one icky film. On remote Pacific Ocean island during World War II, a marine meets up with a nun who has been left behind during the Japanese invasion of that island. Robert Mitchum is the marine in all his manliness. Deborah Kerr is the nun who looks pretty good even completely covered in her habit.
Even though the film was shot in the 1950's there was still plenty of room for some subtle lascivious moments. However the director John Huston and his writer John Lee Mahin were a couple of pros who knew how to navigate around any potential tastelessness.The acting is very good. Robert Mitchum was an actor with a strong presence who was known to put down the acting profession with such statements as "Look, I have two kinds of acting. One on a horse and one off a horse. That's it." gave a very good performance as the marine. Deborah Kerr, was an English actor who was usually cast as some kind of upper class Anglo lady. However Kerr was always game to take on challenging roles. Mitchum payed her the ultimate complement by stating that she was the only leading lady he worked with that he didn't also sleep with.
The film was directed by old school filmmaker John Huston who kept the whole thing interesting and very entertaining.
106 minutes.
This early John Ford film doesn't have a lot of his special visual touches, it's mostly a straight up adventure story. During World War 1 the US Navy deploys "mystery ships," essentially decoy ships used to lure German submarines out into the open so the Navy could engage and sink them.
Ford and his favorite 1930's writer Dudey Nichols created a story about one of these ships that had a lot of Ford's favorite themes, the profession of arms, cornball navy humor and a stolid hero. The hero in this case is George O'Brien, an early version of the character John Wayne starting playing for Ford somewhat regularly in the 1940's through the 1960's.
This is a decent 30's action film with the usual somewhat poor film acting. Directors and actors were still trying to figure out how to modulate their performances in early sound films. Visually the scenes at sea are staged pretty well, the scenes on shore with the actors are somewhat an ordeal to sit through. A good early 30's action film.
90 minutes
Clocking in at over 2 hours this Cecil B. DeMille corn fest finally wears out it's welcome towards the last 20 or 30 minutes of the film. For all the subplots and characters in the film, the story has a "seen it all before" quality and seen it made a lot better by other people.
The cast is certainly unusual. The insufferable Betty Hutton is the female lead who manages to fall in love with two men. If there was one thing that Betty Hutton could never project as an actor that was sex appeal. If you needed a loud mouthed overbearing and clueless personality Hutton was the one to cast. Cornel Wilde is the trapeze artist who is a continental European Lothario in the best tradition of "B" movie screen lovers. His French accent is really terrible. Charlton Heston is the brooding circus manager. Heston wants to bring the circus to all the small towns of America but he is so intense and scary in his performance he would make an audience want to run to one of those new fangled outdoor drive in 50's movie theaters instead. In the supporting cast is one of the 50's hottest actors, Gloria Grahame who nobody seems to hit on much. I guess when you have Betty Hutton around why would you want Gloria Grahame. Finally there is James Stewart playing "Buttons a clown."