Monday, June 15, 2026

1977 - CLOSE ENCOUNTERS OF THE THIRD KIND - on the big screen

Obviously re-released as a tie in to Spielberg's current fim Disclosure, Close Encounters of the Third Kind is almost 50 years old.  The film was made when Spielberg was in his early 30's and is an assured piece of work for a filmmaker at the beginning of his career.  Spielberg had finished shooting Jaws and was still something of an unknown quantity in Hollywood although people in the know recognized him as a potential major talent.

 
Spielberg was under enormous pressure during the making of the film.  The budget escalated from the initial estimates of 3 million dollars to 20 million dollars.  The studio Columbia Pictures was on very shaky financial ground and was constantly pressuring him to reduce the budget and wrap up the filming.  One of his producers had a significant drug problem and was apparently behaving erratically during the production.  But Spielberg stayed the course and remained true to his vision of the final film.

 

Close Encounters of the Third Kind also benefited from some considerable behind the camera talent.  Vilmos Zsigmond was the very talented cinematographer Spielberg had worked with on his first feature The Sugerland Express.  John Williams composed the score.  Michael Kahn was the editor working with Spielberg for the first time and would go on to cut almost all of his other films.  Douglas Trumball who had worked with Stanley Kubrick was in charge of the pioneering special effects. 

 

 

I remember when the film was released the critical reception was for the most part good.  However some critics were looking for another shoot-em up Star Wars type of film but Spielberg was too much of a humanist to go down that road.  Spielberg even got one of France's greatest directors, Francois Truffaut to play the part of Claude Lacombe the French scientist in charge of the UFO project.  

 

 

In spite of some of some dated technology in the film (reel to reel tape recorders, paper maps, land line telephones), this film still plays very well and is certainly one of his best films.

Spielberg for the most part wrote the screenplay with the assistance of five other uncredited screenwriters.  The film exists in  three different running times, the 135 minute original release, the 132 minute special edition and the 137 minute director's cut.

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