2013 - THOR: THE DARK WORLD, a sequel to THOR

Follow up to Thor and not horrible.  This time Thor has to take on a bunch of evil Elves.  They want to return the universe to the "dark era" whatever that is.   The film has lots of action and hammer throwing.  Chris Hemsworth is the stud god, his earthling girl friend is played by Natalie Portman.  Kat Dennings and Stellan Skarsgard are the comedy relief.  Tom Hiddleston is back as Thor's evil step-brother Loki.  The topper in the cast is Anthony Hopkins playing Thor's dad Odin sort of like a Norwegian King Lear.

These Thor movies are a strange mixture of Norse mythology, sort of science fiction, sort of fantasy all channeled through the Marvel movie universe and not the Marvel comic universe which probably had an even more convulted story line with this character than these silly movie time lines.

I actually kind of enjoyed this fight the elf nonsense loaded with it's overblown dialog and a lot of the cast running around in silly Viking outfits.  It's more of a comic book film then the overly serious Ironman and the self important Captain America because when you get down to it Marvel movies are basically silly comic book movies.

112 minutes, screenplay by Christopher Yost, Christopher Markus and Stephen McFeely.

1965 - THE SLEEPING CAR MURDERS, an early film from Costa Graves

The first film by Costa Gavras is a competently made police procedural thriller.  The film appears to be influenced by American crime thrillers since the vibe of the film is not really European.

There's the put upon Police Inspector, his boss who is interested in advancing his career, the young rookie detective the usual suspects and red herrings found in these mysteries.

The film has a good cast with a couple of stalwarts of French cinema Yves Montand and Simone Signoret in leading roles.

The story kind of plods along with lots of murders and does manage to create some whodunit type suspense. Everything gets wrapped up an exciting car which kind of reminded me of The French Connection's famous car chase.

The film runs about and hour and a half and is a decent and quick time killer.

95 minutes, screenplay by Costa Gavras.

1956 - THE TEN COMMANDMENTS, on Blu Ray.

DeMille's final film probably sums up all of the good and bad things about career.  DeMille had an interesting visual sense based on old Victorian and Renaissance paintings and he certainly knew how to deploy large numbers of extras for maximum visual impact.  At the same time DeMille was not the greatest director of actors, he liked things played very broad.  There was no subtlety in a DeMille film.  DeMille also like to use stories from the Bible and American history as a basis for his films and by the time he had dramatized them they bore virtually no resemblance to actual historical events but could be pretty darn entertaining.

The Ten Commandments was a big production for DeMille.  It had the "cast of thousands," impressive scenes, dramatic use of color and lighting and a large of cast of very good actors.  It also had one of the most ludicrous stories about the life of Moses ever put on film.  Since so little was known about Moses, DeMille and his writers were free to invent large chunks of his life story.  In The Ten Commandments DeMille had come up with a bizarre story about a three way love triangle between Moses, the Pharaoh and the Pharaoh's wife which boarders on the tasteless.

Still, this is an amazing film and also a very long one.  This thing just goes on and on and DeMille's cast really pours it on with enough scenery chewing acting to make Al Pacino look subtle.  Amazingly, DeMille was 75 years old when he made The Ten Commandments.  He suffered a heart attack during this production but he continued to direct the film to completion.

Paramount has put together a stunning Blu-ray of the The Ten Commandments.  This film looks really good.

220 minutes,  the screenplay was by a bunch of DeMille cronies,  Aeneas MacKenzie,  Lasky Jr., Jack Gariss and Fredric Frank.

2012 - TO THE WONDER, Malick is out of ideas

This is an indefensible piece of pseudo artistic claptrap from Terrence Malick who it's starting to appear has seen better days and completely exhausted any ability to tell a story.

The film appears to be a story about a love triangle told almost without any dialog or character development.  Malick's chief interest in this film is to photogrqph scene after scene of pretty young women running through fields of hay with the sun glistening into the camera lens.

Malick has made a few good films but since his return from his extended 10 year break his films have been lacking particularly in story content.  Malick's chief interest seems to be in photographing stuff without even remotely attempting to tie it together.  Malick's best film in the second half of his career was The Thin Red Line, but even that suffered from a meandering story structure.   It's been kind of downhill ever since with indulgent films like The Tree of Life and this so called film.

This kind of fim is what happens when you let a pretentious director run amok with a budget.  Commercial  and particularly artistic failure on a large scale.  No one was going to get their money back on this one.

113 minutes

1953 - THE WILD ONE, an iconic film for Brando

Brando's about the only reason to watch this drama about a motorcycle gang taking over a small California town.  By now everyone is familiar with the iconic image he created with the sideburns, the bizarre cap and the leather jacket.  As silly as it should look today, it looks pretty bad ass on him.

The film opens with a disclaimer that the studio clearly stuck onto the beginning of the film.  "This is a shocking story", and concludes with "it is a public challenge."  But who was kidding who?  This film is all about violence and violent behavior.  The whole movie is a wallow in sadism,  mentally and physically.

The film was well photographed by Hal Mohr who had worked with Von Stroheim in the silent era.  Shooting a lot of scenes at night has always been a challenge for a cinematographer but Mohr does a very good job.

As silly as the film gets at times, and lets face it these guys in the motorcycle gang are not "boys" like everyone says, it's fun to watch Brando strut around as some two wheel bad boy on his Triumph cycle.

79 minutes.

2013 - IRON MAN 3, more of the same

If you've seen the first couple of Iron Man films you've seen this.

 

Downey still plays Tony Stark as a wise ass, Gwyneth has dieted herself down to nothing so a 40 year old woman can look like a 20 year old woman.  The rest of the cast is made up of decent actors who are clearly in it for a paycheck.

The plot is basically the same as the first two films.  There is an evil genius.  He has an army of followers.  They have strange super powers that could probably destroy Iron Man.  There is a lot of action.  Everything blows up towards the end of the film. 

130 minutes. Screenplay by Shane Black and Drew Pearce but it follows the same old Marvel formula.

1975 - THE DEADLY TOWER, a TV movie based on the Charles Whitman shooting spree

This is one of those TV movies that were popular during the 1970's.  These movies would take real life events and dramatize or fictionalize them for the viewing public.  Some of them were OK occasionally they were actually good most of them were terrible.  The Deadly Tower is probably one of the better ones.  This is a dramatization of the Charles Whitman shooting from the Austin University tower in 1966 given the usual fact mixed with fiction treatment as if the actual events weren't dramatic enough.

Kurt Russell who at the time was transitioning from Disney kid actor into more "adult" roles played Whitman.  Back in the good old days of Hollywood, if you wanted to show you weren't typecast as a Disney actor you had to make a 180 degree turn and play either a crazed killer or a sexed up bimbo.  Obviously Russell decided on the killer route.  For a 1970's movie the 2nd lead is a Hispanic actor named Richard Yniguez who was one of the the cops that climbed up into the tower and finally stopped Whitman.  The rest of the cast is a couple of TV perennials, John Forsythe, & Pernell Roberts.  New York actor Clifton James again plays a redneck law enforcement officer and this appears to be an early role for Ned Beatty.

Just the actual situation itself is dramatic enough and this is probably the best part of the film.  Where things run a little off course is in the hokey dramatic events that the story veers down.  The Hispanic cop is passed over for promotion at the police department.  His wife wants him to quit his job and take something less dangerous etc.  This was the kind of stuff they would cram into these films.

This is probably one of the few films to take an anti-gun position.  At one point Forsythe yells at the gun store owner who sold all the guns and ammo to Russell without questioning what he was going to do with it.  Try getting that in a film today.  If there is one thing I am sure of, everyone in Texas probably owns a gun. 

100 minutes

2011 - TINKER TAYLOR SOLDIER SPY, a spy thriller that only the British can do.

If I hadn't seen the original British mini series with Alec Guinness, I would have had no idea as to what was going on.  There is a double agent in British intelligence and former spy George Smiley is called in figure out who he is. 

This film is more or less a redoing of that miniseries and it's very well done.  It certainly captures the bureaucracy of the British spy organization called "The Circus."  The author John Le Carre had been
an employee of MI5 and MI6, the British intelligence services.  Le Carre must have also been familiar with with the "Cambridge Five" a group of students recruited by the Soviet Union who managed to work themselves up into high positions in British intelligence.  This is the basis of the plot of Tinker Taylor Soldier Spy.

This film is superbly cast.  It has a bunch of very good British actors in it.  The pivotal character of spy George Smiley is played by Gary Oldman of all people.  This is and actor who usually specializes in playing bad guys in crummy action films.  Oldman gives a very nuanced performance as a bland bureaucrat who is also a very sharp spy.

This film is so low key that you really have to pay attention to what is going on at all times.  Still, this is a very good espionage drama.

127 minutes.

1961 - YOJIMBO - Kurosawa's samurai comedy/drama classic

Filmed after Kurosawa's The Bad Sleep Well, a dreary drama of corporate intrigue in Japanese business.   Yojimbo was a transitional film for Kurosawa and the Japanese film industry and audience.

Kurosawa mixed comedy with action in a story that had it's influences back to Dashell Hammett's novel Red Harvest, a book with enough double crosses for about three novels.

As usual, Kurosawa used a lot of his stock company of actors and most importantly Toshiro Mifune as the bad ass wandering samurai.

Yojimbo is probably one of Kurosawa's best films and is certainly a one of a kind film that has been ripped off many times.

Screenplay by Kurosawa, Ryūzō Kikushima and Hideo Oguni, it runs 110 minutes.

2014 - ST VINCENT, seen this one a couple of hundred times

The old chestnut about a single mom and her son who move in to a neighborhood where their next door neighbor played by Bill Murray is some old crabby reprobate curmudgeon.  Slowly everyone starts to warm up to each other because after all underneath Bill's heart of stone is a pretty nice guy.

Seen this plot more than I care to remember.  As soon as the film starts you know how it's going to end.

The cast is decent.  Bill Murray has done this crab apple guy before but he does it well.  One of my least favorite actors Melissa McCarthy actually didn't annoy me for a change and Naomi Watts is still pretty easy on the eyes.

St. Vincent is an OK time killer.

102 minutes.

1947 - MONSIEUR VERDOUX, Chaplin's legendary black comedy is a pretty poor film

I would have to give Charles Chaplin credit for trying to pull off something like this especially during the late 1940's.  A black comedy about a serial murderer was certainly an audacious idea for a film.  However, the execution of this idea is mediocre at best and just plain bad at several points in the film.

The two biggest problems in Monsieur Verdoux are the production and the direction by Chaplin.  The whole film just looks cheap.  Crappy painted backgrounds, sets that look like sets.  The film has a cramped studio look to it and I'm not talking a major studio like MGM or Warner Brothers.  As for Chaplin the director, Monsieur Verdoux is almost painful to watch.  It's essentially a film made with an outdated silent film technique which makes it one of the most old fashioned films I've seen from the 1940's.  Chaplin was a pioneer filmmaker in the early days of Hollywood but it seems like his directing style hadn't evolved much past the 1920's.

In every Charles Chaplin film the star is Chaplin himself and is he ever the star.  Every scene is about him.  He has a weird effeminate acting style and nonstop hamming technique for the camera.  No other actor even gets a remote shot at creating a character in this film since the whole thing is all about Chaplin all the time.

Finally, the whole film is kind of distasteful.  Since Chaplin is playing a serial killer of women every woman he kills seems to deserve it.  It's as if he is doing the world a favor getting rid of these shrews.
Towards the end of the film Chaplin makes a speech where he compares war to his murder sprees as if to justify his actions this seems like the height of hypocrisy since you could probably make the case that however awful these women were they certain deserved every right to live even if they weren't the moral and intellectual equal of Chaplin's character.

Unsurprisingly this film was not successful in the United States.  Between the subject matter and Chaplin's communist politics this was a further alienation of an audience that had worshiped him during the silent film phase of his career.

124 minutes.

1961 - X-15, test pilots risk their lives un-huh un-huh.

The X-15 was the Air Force's program to send a man into space in a rocket like ship and have him return.  The program was probably discontinued once panic set in with the Russians sending a man into space in a capsule.  Since the United States was in a state of anxiety about the Russians in the early 1960's the X-15 program was discontinued in favor of shooting Americans into outer space in capsules as well.  The space race had begun. 

Naturally Hollywood saw this as movie material so someone dragged out the old "honey don't go fly the X-15" story line with a whiny wife yapping at the brave test pilot about his dangerous career.  All very dreary.  The film  to give the film some authenticity, it was narrated by Air Force Colonel James Stewart also know as actor Jimmy Stewart who clearly didn't read the script.

The cast of the film were virtual unknowns, with Charles Bronson and Mary Tyler Moore the future stars.  The director was Richard Donner who would go on to have a successful career churning out decent mainstream Hollywood films.  However if you were watching this film and didn't know any of these people you would be hard pressed to see any talent in any of them.  

The film is mostly a mixture of real test footage and some animation of the X-15 in space towards the end.  The Air Force and NASA test footage has been stretched out to fill the widescreen format so everything looks weirdly distorted.  The planes crashing and the rocket engine blowing up are the real deal.  That's entertainment I guess, show someone dying for real so you can stick that footage in a cut rate film.

107 minutes, written by James Warner Bellah and Tony Lazzarino.

2014 - BIG HERO 6, Disney Animation

Supposedly based on a Marvel comic book, Big Hero 6 is the usual stuff.  At times it's a frantic cartoon at other times if got the standard Disney sentimentally which is practically dripping off of the screen.  Throw in a bunch of misfits of science who become superheros and you've seen in all before.

The film does look kind of cool with it's mishmash of Tokyo and San Francisco settings.  Clearly more time was spent on the look of the film then thinking out an original plot.

The "Stay Puff" marshmallow robot is kind of cool.  But really there isn't a whole lot to be said about this one.  It made money, people seemed to enjoy it.

102 minutes.

2014 - THE HOBBITT: THE BATTLE OF THE FIVE ARMIES, hopefully the last of this series, probably not

For all the fighting and killing and beheading in this film the supposed final chapter in the series is kind of anticlimactic.  Tolkein's book which was intended for younger readers has reached the end of this three part adaption with so much padding to it's story I didn't have a clue as to what was going on and I've read The Hobbitt twice.

The director Peter Jackson has so stuffed this film with visual computer image garbage it's hard to care who is fighting with whom when it's obvious that it's just a bunch of computer people moving around and whacking each other with computer generated swords.

In a film called The Hobbitt, Bilbo Baggins the Hobbitt himself has nothing to do.  Even during the final fight he gets knocked out and is unconscious for most of the action.  Bilbo didn't miss much. The fighting goes on and on and the large scale battle scene that takes up the last hour of so the film was done before in the previous five films.  Jackson even hired a lot of the actors from the earlier Lord of the Rings films to provide some continuity but all that this does is add a sense of deja vu to this noisy turkey of a film.

This film made a lot of money, so there is obviously an audience for this junk.  I saw the film at a second run movie theater and I can testify that a good portion of the crowd were fantasy nerds probably watching this for the fourth or fifth time.  The price was right, $3.00 admission to watch this piece of fantasy crap.

144 minutes, written by Fran Walsh, Philippa Boyens, Peter Jackson and Guillermo del Toro.