2007 - TIMECRIMES or Los Cronocrímenes

No spoiling or even a discussion of the plot for this clever time travel film.

Working with a cast of 4 people the director Nacho Vigalondo has cooked up a very entertaining film that really moves along and comes in under 90 minutes without belaboring it's tricky concept.

An excellent science fiction film.

88 minutes

1999 - THE WORLD IS NOT ENOUGH, on BLU RAY

The third of the crummy Pierce Brosnan James Bond series.  Brosnan's Bond films made a lot of money however they were never very good and this is a series that had some dogs like Live and Let Die, and The Man With The Golden Gun.

The first 30 minutes of the film are the best part.  The boat chase down the Thames manages to recapture some of the fun of the Bond series.  Unfortunately after that it's all down hill from there with some incomprehensible plot involving oil pipelines, Russian nuclear missiles and stolen submarines.  The action scenes and special effects are up to the usual high standards but there is a lack of excitement in every scene.  The audience knows that Pierce Brosnan is going to come out unbloodied  Let's face it, in every Bond film James Bond is going to survive but in this film it just seems really obvious.

 

Pierce (Remington Steele) Brosnan was always a decent Bond even though he was really channeling Sean Connery but the scripts they gave him never gave him a chance to make a really memorable film.  Brosnan fought hard for better scripts and directors but he was just a hired hand and easily replaceable.  After Die Another Day the producers let him go and did a reboot with the incredibly humorless Daniel Craig.

What are you going to say about the cast?  It was always good to see the original "Q" in the Bond films even though this was Desmond Llewelyn's final shot.  Yea Denise Richards was kind of hopeless but that was par for the course.  Sophie Marcel and Robert Carlye showed up to cash a paycheck.  

The World Is Not Enough looks clean and pretty on Blu Ray.

128 minutes screenplay Neal Purvis, Robert Wade and Bruce Feirstein.

1964 - I AM CUBA, Soviet propaganda film impressively made

A propaganda masterpiece.  The director Mikhail Kalatozov and his brilliant cinematographer Sergey Urusevsky created a film with such stunning photography and staging that the film has a vivid atmosphere and feeling for Cuba which is even more amazing considering it was shot in black and white.

I Am Cuba celebrates the fall of Batista and the rise of Castro or more specifically for the Soviet Union, the embracing of a communist state close to one of the biggest democracy's in the world. The people are exploited, the revolutionaries are noble and those rotten capitalists suck.

I Am Cuba for all it's commie propaganda (which apparently wasn't enough for the Soviet government) is really about what a gifted director can do working in the disreputable genre of the propaganda film.  Kalatozov is in some ways like Riefenstahl an artist who can bring all of his or her talent and technical expertise to create a special film. 

Probably comparing Kalatozov to Riefenstahl is a little unfair, his film is hardly in the same league as Riefenstahl's Triumph of the Will.  This film is not some Nazi superman epic.

141 minutes

1949 - MIGHTY JOE YOUNG, or King Kong redux.

A high water mark for special effects in the late 1940's.  In charge of effects for Mighty Joe Young was Willis O'Brien who was responsible for King Kong.  Doing much of the actual stop motion animation of the gorilla was Ray Harryhausen.  These stop motion effects were carefully integrated with optical composting from Linwood Dunn.  

Linwood Dunn was one of the greatest special effects artists in Hollywood.  Dunn contributed special effects to films included, King Kong, Citizen Kane, My Fair Lady, Airport, It's a Mad Mad Mad Mad World and the original Star Trek series, an amazing career.

Merian C Cooper and his partner Ernest B Schoedsack were the producer and director and in this film, John Ford of all people shows up listed in the credits.  Ford always insisted he had nothing to do with this film, but members of his stock company, which included Ben Johnson and Jack Pennick show up in the film.  

Leaving all the business of the optical and animation effects aside Mighty Joe Young is a very entertaining film.  It's amazing how much personality they got into the gorilla puppet.

 94 minutes, written by Ruth Rose.

1976 -1981 THE SCTV COLLECTION, all 21 discs.

What a disappointment.  This TV series is now hopelessly dated.

The sketch comedy revolving around a fictitious TV station satires most of the current personalities and trends that were popular during the mid 70's and early 80's and that seems to be the big problem,  none of the humor is very timeless.

Nobody would argue that the cast wasn't talented, everyone performed at a very high level, the problem is that their comedy bits are just not very funny.  I wonder if anyone even remembers the personalities being satirized, Walter Cronkite, David Brinkley, Joey Heatherton, Lola Falana, Bob Hope, Merv Griffin, Connie Francis, The Five Freshman.  All these people in one way or the other were fixtures on televison.  But television is also a medium that is very fleeting at times.  One day you're hot and  the next day you're not.  "Mama Mia that's a spicy meatball" or Where's the beef."

A big disappointment from another time.

1890 minutes (approx)

1953 - THE SUN SHINES BRIGHT, John Ford's favorite film?

By now it's fairly well known by film buffs and scholars that this is supposedly John Ford's favorite film.  It's kind of hard to believe when you compare The Sun Shines Bright to films like The Searchers, The Grapes of Wrath, Three Bad Men, They Were Expendable and How Green Was My Valley among others. 

If The Sun Shines Bright is Ford's favorite film it's probably because he was able to indulge himself in many of his favorite themes and situations.  There's his general feeling for a romanticized American past which he saw as a country that was now losing many of it's values by the 1950's.  Also the setting of Kentucky a state in the defeated South plays into his "victory in defeat" theme he rehashed in many of his films.  There's also the usual stuff about the importance of ritual, parades, cornball comedy and a very outdated view of Black Americans. 

Not generally though of as a director good  of actors, the performances are very good in this film with Charles Winninger who was usually cast in character parts as the main lead,  Billy Priest  excellent as the southern judge up for reelection. 

Ford's direction is excellent as usual, with interesting but not showy camera work and deliberate but not leisurely pacing throughout the film.  If the film seems a little patronizing especially towards Black Americans this film is infinitely preferable to Ford's first Judge Priest film with Will Rodgers.

100 minutes.

1961 - CREATURE FROM THE HAUNTED SEA, Roger Corman cheapie from the 60's naturally.

Filmed  in 1959 released in 1961 Corman shot this thing in 5 days and that's about all you need to know.

Supposedly a "horror comedy"  the film is certainly some kind of horror with imitations of Humphrey Bogart by one of the leads, a bizarre introductory sequence which has something to do with spies and of course the appearance of the creature about halfway through the film.

The film is under 90 minutes and has a couple of laughs but pretty bad overall even for a low budget Corman film.

You can watch it so you can say you watched it.  That's about it.

75 minutes.

1977 - MACARTHUR, the Cliff's notes version of the General's life

The producer Frank McCarthy who had filmed Patton for 20th Century Fox, took another shot at a famous egomaniac military guy,  General Douglas MacArthur.  The budget was a lot less than Patton and the finished film was a lot less as well.

The approach in this film was a greatest hits of MacArthur during World War II film.  You get the escape from the Philippines, the " I shall return" stuff, conflicts with President Truman, MacArthur's rule of post war Japan.  It's all interesting but it's a lot more interesting in a good MacArthur biography like William Manchester's American Caesar.

Gregory Peck plays MacArthur and that's kind of the problem, it's just good old Gregory Peck acting the same way he does in every film he was ever in, another solid unexciting performance.  MacArthur was a very flamboyant character.

The film was made at Universal Studios so you get the usual semi cheapskate production, lots of stock footage and matte paintings trying to make the film look like an expansive war epic.

130 minutes written by Hal Barwood and Matthew Robbins.

1967 - THE WAY WEST, crummy epic Western.

The same year as, Bonnie and Clyde, The Graduate, The Dirty Dozen and You Only Live Twice were released came this completely out of it western,  The Way West.  The director was Andrew McLaglen the very low rent John Ford wanna be.  The film had three sort of past their prime stars, Kirk Douglas, Richard Widmark and an either inebriated or just didn't care Robert Mitchum.   The female leads were Lola Albright a kind of sexy lady who isn't very sexy in this film and Sally Field playing some kind of western teenage slutty version of "Gidget".

The story is about a wagon train on the hazardous journey from Missouri to Oregon.  The wagon train has a number of typical wagon train adventures.  Indians mess with them because they want some "firewater" a pretty offensive stereotype. There is a crossing the river sequence which seems to be a standard troupe in this kind of film and the usual baby being born on the journey bit.  In fact I think it's safe to say the whole film is just a bunch of rehashed situations from previous wagon train films and TV shows.

If the film has anything going for it at all it's the spectacular cinematography of William H. Clothier who had worked with John Ford and McLaglen.  The western vistas of the wagon train are impressive but in a film like this how many western vistas can you watch after a while especially with all the nonsense going on in the story.

It would be easy to call this film "old fashioned" entertainment but I've seen silent film westerns that are more contemporary than The Way West.

122 minutes, screenplay by Ben Maddow and Mitch Lindemann.

2002 - SLAPSTICK ENCYCLOPEDIA VOL 9, THE RACE IS ONE, VOL 10 TONS OF FUN THE ANARCHIC FRINGE.

Two discs in a row is a lot of silent slapstick comedy to watch in one sitting, still there is a lot of good stuff:

1.  Charlie Chaplin stars in Easy Street, one of his famous shorts.  This is fairly funny stuff with Chaplin appearing as his little tramp character, taking on a gang of bullies.  A typical but well done Chaplin short film.

2.  Laurel and Hardy star in Big Business a film with a very high reputation however it seems kind of overrated to me.  The film has some big Hollywood talent attached,  George Stevens photographed it and Leo McCarey directed.   Laurel and Hardy are Christmas tree salesmen who end up destroying the house of a potential customer.  It's supposed to be funny as the destruction slowly builds up but it seems to never end. 

3.  Monty Banks shows up in an excerpt from his film Play Safe.  The runaway train sequence excerpt is really something to see with some pretty wild stunt work.

4.  Probably the outstanding film in this collection is Buster Keaton's One Week.  Keaton and his new bride have a prefab home which they assemble incorrectly.  This setup allows for some incredible surreal sequences,  an amazing film.

For the Keaton and Monty Banks films alone these DVD's are worth checking out.

1985 - POLICE STORY, Jackie Chan in his prime

My  copy of Police Story is bad, the dubbing is bad, the print is bad, and it's been cut by about 10 minutes.  Still this is Jackie Chan starring, directing and doing a lot of his own stunts.

The plot of Police Story is another chance to watch Jackie Chan a very physical actor in top athletic condition when the film was made.  Chan's character is one he developed on his own, sort of an action hero who actually gets hurt during fights and a clown who does a lot of physical comedy reminiscent of Buster Keaton.

Chan always loads his film up with good looking women, in this case Brigitte Lin and Maggie Cheung a couple of intelligent actors who are required to act like a couple of very stupid women.  Women in a Jackie Chan film don't come off particularly well as characters.

What Police Story is all about are the incredible stunts and action sequences.  The film starts with an amazing chase through a shanty town and ends will an all out battle in a shopping mall.  All this is done with stunt men bouncing around and looking like they actually got hurt which in all probably they did.

90 minutes, written by Jackie Chan and Edward Tang.